"Surrealism took one of its main inspirations from psychoanalysis, accepted the distinction between the inner world of the mind and the outer world of reality. But one, the world of the mind, is largely ruled by the laws of fictions, by one's dreams, visions, impressions and so on, and the whole idea of the unconscious as a narrative stage. Surrealism moulds the two worlds together, remakes the external world of reality in terms of the internal world of fantasy and fictions. Now what has happened, and one reason why there are really no Surrealist painters in the true sense of the term today, is that this position has been reversed. It's the external world which is now the realm, the paramount realm of fantasy. And it's the internal world of the mind which is the one node of reality that most of us have. The fiction is all out there. You can't overlay your own fiction on top of that. You've got to use, I think, a much more analytic technique than the synthetic technique of the Surrealists. Eduardo does this in his graphics. He's approaching the subject matter of the present day exactly like the scientist on safari, looking at the landscape, testing, putting sensors out, charting various parameters."
- JG Ballard on Eduardo Paolozzi, from a conversation with Paolozzi and Frank Whitford in 1971. Read the rest here.